Introduction to Philippine Dance as Cultural Expression; Defining and Significance of Philippine Folk Dance; Regional Folk Dances: Luzon, Visayas, and Mindanao; Understanding Contemporary Dance Forms; The Enduring Value and Future of Dance

Philippine Dance: Heritage & Evolution

Physical Education

Philippine Dance: Heritage &amp; Evolution

Exploring traditional and contemporary dance forms across the Philippines.

Agenda

• Introduction to Philippine Dance as Cultural Expression

• Defining and Significance of Philippine Folk Dance

• Regional Folk Dances: Luzon, Visayas, and Mindanao

• Understanding Contemporary Dance Forms

• The Enduring Value and Future of Dance

Dance: Philippine Cultural Expression

Philippine dance is a profound cultural mirror, reflecting the nation's diverse heritage, emotions, and historical narratives. From pre-colonial ritualistic movements like those seen in the Kadayawan Festival to contemporary expressions such as hip-hop, it embodies a dynamic evolution. This art form serves as a living archive, connecting communities to their ancestral roots and modern identities.

Philippine dance: a vibrant cultural mirror celebrating heritage and evolution.

Defining Philippine Folk Dance

Philippine folk dances are traditional expressions originating from ancient communities, embodying their beliefs, rituals, and daily life. These performances, like the 'Tinikling' which mimics bird movements, are integral to festivals, weddings, and various ceremonies. They serve as living archives, preserving cultural heritage and historical narratives across generations.

Festival dancers showcase Philippine folk dance heritage.

Cultural Significance of Folk Dance

• Preserves heritage: *Tinikling* embodies Filipino resilience.

• Transmits history: *Singkil* narrates Maranao epic Darangen.

• Reinforces identity: *Pangalay* reflects Sulu's pre-colonial grace.

• Fosters community: *Subli* celebrates Batangas' devotional traditions.

Francisca Reyes-Aquino: Pioneer

Francisca Reyes-Aquino, a National Artist, is the "Mother of Philippine Dance" for her pioneering ethnographic research. From the 1920s, she meticulously documented over 200 traditional dances, songs, and games from various regions. This foundational work preserved Filipino cultural heritage, earning her the Republic Award of Merit and National Artist award.

Reyes-Aquino: Mother of Philippine Dance, preserving heritage.

Philippine Folk Dance: Tinikling

Tinikling, a quintessential Philippine folk dance originating from Leyte in the Visayas region, dramatically portrays the agility of the *tikling* bird. Performers skillfully step between rapidly clapped bamboo poles, mimicking the bird's movements as it avoids traps. This intricate dance symbolizes Filipino resilience and perseverance, making it a globally recognized cultural emblem.

Tinikling: Philippine dance of agility and resilience.

Tinikling: Dancers' feet move rhythmically with bamboo poles.

Subli: A Batangueño Prayer-Dance

Maglalatik: A Mock War Dance

Subli, originating from Batangas, is a ritualistic prayer-dance performed in homage to the Mahal na Birhen (Virgin Mary). Its name is derived from "subsub" (to fall on one's knees) and "bali" (broken), reflecting the dancers' ritualistic movements. This dance integrates singing, chanting, and a unique percussion ensemble, embodying a profound spiritual devotion.

Hailing from Laguna, Maglalatik is a vigorous mock war dance performed exclusively by male dancers. It dramatizes a conflict between the Christian and Muslim factions over the latik (coconut meat residue) during the Spanish colonial era. Dancers use coconut shell halves strapped to their bodies, creating percussive sounds to mimic battle, showcasing agility and rhythmic precision.

Visayas Folk Dance: Kuratsa

The Kuratsa, a prominent folk dance from the Visayas, particularly Samar and Leyte, embodies a vibrant courtship ritual. This energetic and playful dance depicts a flirtatious chase, with the male dancer pursuing the female. Its distinct three-part structure, including the *sarakiki* (chase), *dagit* (snatch), and *pagsaka* (climb), showcases the intricate dynamics of Filipino traditional courtship.

Kuratsa: A vibrant Visayan courtship dance celebration.

Visayas Folk Dances: Balitaw, Pantomina

Balitaw from Cebu is a courtship dance-song, where performers engage in a playful debate through improvised verses and movements. Pantomina, originating from Bicol, is a wedding dance that elegantly mimics the courtship rituals of doves. Both showcase regional variations in expressing love and social interaction through movement.

Balitaw and Pantomina: Cebu and Bicol's courtship and wedding dances.

Philippine Dance: Heritage & Evolution

Introduction to Philippine Dance as Cultural Expression; Defining and Significance of Philippine Folk Dance; Regional Folk Dances: Luzon, Visayas, and Mindanao; Understanding Contemporary Dance Forms; The Enduring Value and Future of Dance

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